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DOWNLOADED FROM WWW.AWAFIM.TV

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CORMORAN STRIKE:
Are you still out? It's late.

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Yeah, but I'm heading back now.

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Is everything okay?
Have you seen something?

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No.

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No, I'm fine, I'm (CHUCKLES)
just a bit jumpy.

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STRIKE: Where are you?

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-ROBIN ELLACOTT: I'm not quite--
-(KNIFE SLASHES)

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STRIKE: Robin?

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-(DIAL TONE PLAYING)
-(PHONE HANGING UP)

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About last night...

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It was a one off.

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Don't make it weird.

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WILL JENSEN: I've been tracking
police reports...

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GRACIE NOVIN: Maya Behmen.
She was on a watch list

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for radical communiques
with Volkan Horacin.

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Horacin,
associate of Omair Idrisi...

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JENSEN: And Jane Lowry.

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JANE LOWRY: Omair would
have been so proud of you.

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He gave me this.

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It was for me and him only.

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ADEENA DONOVAN: She's
using the girl for an attack.

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-(CRIES)
-(GUNSHOTS FIRE)

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The device wasn't live.

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They discovered
radiation on the canister.

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The signal came from Chernobyl.

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We're moving in.

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Where's the Novichok?

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KAMIL MARKOV:
The Russians are taking it.

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(GRUNTS)

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I made an antidote,
there is one vile.

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It's gone!

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I needed you to make sure
he completed his work.

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(GRUNTS)

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Stop! Stop!

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(GLASS SHATTERS)

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(GASPING)

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(PHONE RINGS)

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LOWRY:
How did you get this number?

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MAN:
Omair Idrisi is still alive.

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[engine revving]

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[bullets clinking]

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[foreboding music]

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♪ ♪

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[cartridge clicks]

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[gun clanking]

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[gunshots blast]

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♪ ♪

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♪ ♪

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[paper snaps]

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♪ ♪

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- I shot Idrisi.

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Twice.

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One in the chest,
one in the head.

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There's no way he's getting
back up from that.

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- That's not what
the intel's saying, is it?

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- "Intel"?

58
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We're talking about
the incomplete recording

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of a goddamn phone call.

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And we don't know
if that's true.

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The military confirmed it.
It's been headline news.

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- I hope he is alive.

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I could happily hunt him down
every day

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for the rest
of my life.

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- Just got a hit on Lowry.

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She's moving in on the home
of Johannes Krieger.

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- Uh, he's the CEO of Octagon.

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A private military company.

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- I came across him in Iraq.

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He's involved in some
real shady shit, that guy.

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Rendition flights.
Black sites.

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- So now we're saying
Idrisi's in a prison somewhere?

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Did everybody lose
their collective minds

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while I wasn't looking?

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- I'd like to know where
we're getting this intel

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on Lowry from.

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- That's on a need-to-know
basis and several levels

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above your clearance.

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Right now you need
to focus on the task at hand.

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She's already
one step ahead of us.

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Krieger's compound.
Move.

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- Yes, ma'am.

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- If we get eyes on the target,
let me take the shot this time.

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♪ ♪

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[intense music]

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[The Heavy's
"Short Change Hero"]

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♪ ♪

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- ♪ I can't see
where you coming from ♪

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♪ But I know just what
you runnin' from ♪

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♪ And what matters
ain't the "who's baddest" ♪

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♪ But the ones who stop you
falling from your ladder ♪

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♪ Come on, feelin' like
you're feelin' now ♪

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♪ And doin' things
just to please your crowd ♪

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♪ When I love you like the way
I love you ♪

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♪ And I suffer,
but I ain't gonna cut you ♪

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♪ 'Cause this ain't no place
for no hero ♪

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♪ This ain't no place
for no better man ♪

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♪ This ain't no place
for no hero to call home ♪

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♪ ♪

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♪ This ain't no place
for no hero ♪

101
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♪ This ain't no place
for no better man ♪

102
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♪ This ain't no place
for no hero to call home ♪

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♪ ♪

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[ominous music]

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♪ ♪

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♪ ♪

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- You are late.

108
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Oh, I know what
you're thinking.

109
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It's just three minutes.

110
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But a lot can happen
in 180 seconds.

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♪ ♪

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Empires can rise.

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They can fall too.

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Lives can change forever.

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♪ ♪

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[panting]
[moaning]

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Head up!
Yeah. That's it.

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[gun clicks]

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- Don't stop on my account.

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Make better life choices.

121
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- [groans]

122
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- Make sure the perimeter
stays secure.

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- If it's money you want,
I can make arrangements.

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- If all I wanted was money,
Mr. Krieger,

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I'd take your art collection

126
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and retire to
a beach somewhere.

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I'm not interested
in material gain.

128
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I want to know where
Omair Idrisi is.

129
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- I don't know what
you're talking about.

130
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- Ah!
Ah.

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God, it's true.
I swear.

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- I received a phone call
saying that he was alive.

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Held on a Black Site.

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They didn't know where it was,
but they knew who ran it.

135
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Octagon.
Your company.

136
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Now, I just need
to know the truth.

137
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And then I'm gone.

138
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Is he alive or not?

139
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[tense music]

140
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- Eyes on two tangos
by the pool.

141
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Krieger's men are down.

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♪ ♪

143
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[indistinct chatter]

144
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- Yeah, looks like
Lowry's team beat us to it.

145
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[indistinct chatter]

146
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- It's true.
He's alive.

147
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♪ ♪

148
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- Where is he?

149
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- I know who's in the Black
Sites but not where they are.

150
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We outsource the set-ups.

151
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Rachel Sheridan,
a contractor.

152
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- Where do I find her?

153
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- You won't.
She lives not to be found.

154
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- We're in position.
Move in.

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♪ ♪

156
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- [groans]

157
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♪ ♪

158
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[muffled splashing]

159
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♪ ♪

160
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- Fuck.

161
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[groans]

162
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♪ ♪

163
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- Don't shoot.
I'm with you.

164
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I'm the informant.
MI6, MI6!

165
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- Bullshit you are.

166
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- Weapon on the ground.

167
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- Searching.

168
00:08:38,896 --> 00:08:40,438
I wouldn't worry, mate.

169
00:08:40,438 --> 00:08:41,938
If this guy shoots you,
you'll be up and around

170
00:08:41,938 --> 00:08:44,104
in a couple of days.
- Nice, Mac, real classy.

171
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- Clear.

172
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- Where's Lowry?

173
00:08:47,271 --> 00:08:49,604
- She left us
little people behind.

174
00:08:49,604 --> 00:08:51,104
- We'll check the house?

175
00:08:51,104 --> 00:08:53,813
- Volkan Haratian.
Call it in, MI6.

176
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- Call it in.

177
00:08:56,229 --> 00:08:58,604
See if this
bullshit checks out.

178
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♪ ♪

179
00:09:05,688 --> 00:09:07,146
- Dead?

180
00:09:07,146 --> 00:09:10,062
- Dead.
- Shit.

181
00:09:10,062 --> 00:09:12,646
All right, so we got nothing.

182
00:09:12,646 --> 00:09:15,062
- Maybe he's got files,
intel.

183
00:09:15,062 --> 00:09:18,980
- Yeah, or maybe this is all
just one big tin foil hat.

184
00:09:18,980 --> 00:09:20,813
- You believe in aliens, right?

185
00:09:20,813 --> 00:09:22,604
- Well, statistically, Matt,
the possibility of life

186
00:09:22,604 --> 00:09:26,104
existing somewhere else in the
universe is pretty damn good.

187
00:09:26,104 --> 00:09:28,813
- But you don't believe a man
can survive a bomb or a bullet

188
00:09:28,813 --> 00:09:32,354
because it hurts your pride.

189
00:09:32,354 --> 00:09:35,688
- No, because if he's alive,
it means that somebody is

190
00:09:35,688 --> 00:09:37,646
fucking lying to us.

191
00:09:37,646 --> 00:09:38,938
Now, it could be my people.

192
00:09:38,938 --> 00:09:40,813
Could be your people.
Could be everybody.

193
00:09:40,813 --> 00:09:42,479
And while I accept my
government lies to me

194
00:09:42,479 --> 00:09:45,771
on a daily fucking basis,
not about shit like this.

195
00:09:45,771 --> 00:09:49,021
Not on this scale.

196
00:09:49,021 --> 00:09:50,396
- We'll take the laptop
and the hard-drive.

197
00:09:50,396 --> 00:09:53,312
See if Jensen can
dig something up.

198
00:09:53,312 --> 00:09:56,646
- It's upside down.

199
00:09:56,646 --> 00:09:58,271
- How can you tell?

200
00:09:58,271 --> 00:10:00,855
- Come on, man, it's Kandinsky.
It's Russian.

201
00:10:00,855 --> 00:10:03,813
The guy basically
created abstractionism.

202
00:10:03,813 --> 00:10:05,604
He saw the artist
as a visionary

203
00:10:05,604 --> 00:10:07,855
who could usher in
the reality of tomorrow.

204
00:10:07,855 --> 00:10:09,980
- But, could he draw a horse?

205
00:10:09,980 --> 00:10:13,146
[foreboding music]

206
00:10:13,146 --> 00:10:16,229
- Mac.

207
00:10:16,229 --> 00:10:23,354
♪ ♪

208
00:10:27,312 --> 00:10:30,563
- Somebody liked
to make home movies.

209
00:10:30,563 --> 00:10:33,730
♪ ♪

210
00:10:33,730 --> 00:10:35,312
[beeps]

211
00:10:35,312 --> 00:10:39,062
[panting and moaning]

212
00:10:39,062 --> 00:10:41,354
- Volume.

213
00:10:41,354 --> 00:10:43,896
- Is he alive or not?

214
00:10:43,896 --> 00:10:45,938
- It's true.
He's alive.

215
00:10:45,938 --> 00:10:47,229
- Where is he?

216
00:10:47,229 --> 00:10:48,396
- Come on, the guy's
got a gun to his head,

217
00:10:48,396 --> 00:10:49,563
he's gonna say anything.

218
00:10:49,563 --> 00:10:51,563
- We outsource the set-ups.

219
00:10:51,563 --> 00:10:54,021
Rachel Sheridan,
a contractor.

220
00:10:57,062 --> 00:10:59,730
No.
[panting]

221
00:10:59,730 --> 00:11:01,146
- Let's find Rachel Sheridan

222
00:11:01,146 --> 00:11:02,396
and what she knows
about Idrisi

223
00:11:02,396 --> 00:11:03,855
before Jane Lowry does.

224
00:11:03,855 --> 00:11:05,479
That's a recruitment campaign
to end them all.

225
00:11:05,479 --> 00:11:07,396
The Jihadi leader who comes
back from the dead--

226
00:11:07,396 --> 00:11:08,938
an inspiration, a figurehead.

227
00:11:08,938 --> 00:11:10,146
- We need to speak
to Colonel Parker.

228
00:11:10,146 --> 00:11:11,771
It was his men
who found the body.

229
00:11:11,771 --> 00:11:13,771
- I'd rather not accuse a
high-ranking American officer

230
00:11:13,771 --> 00:11:16,354
of lying without
solid evidence.

231
00:11:16,354 --> 00:11:18,229
I thought Lowry was finished.

232
00:11:18,229 --> 00:11:20,980
Turns out she's
only just begun.

233
00:11:20,980 --> 00:11:23,938
- Rachel Sheridan, ex-CIA
infrastructure specialist.

234
00:11:23,938 --> 00:11:26,563
Helped design Guantanamo before
going into the private sector.

235
00:11:26,563 --> 00:11:28,229
Stays off the grid
as much as she can.

236
00:11:28,229 --> 00:11:30,604
- So she gets paid to design
Black Sites for Octagon.

237
00:11:30,604 --> 00:11:34,604
- Technically she just
modifies the existing sites.

238
00:11:34,604 --> 00:11:36,271
Fool-proofs them.

239
00:11:36,271 --> 00:11:37,271
- You know what I meant.

240
00:11:37,271 --> 00:11:38,354
- Where do we find her?

241
00:11:38,354 --> 00:11:39,604
- Uh, we don't.

242
00:11:39,604 --> 00:11:41,104
People like
Sheridan disappear,

243
00:11:41,104 --> 00:11:43,021
so that people like us
can't track 'em down.

244
00:11:43,021 --> 00:11:45,813
Nice work, Johnson.

245
00:11:45,813 --> 00:11:47,271
- I'm onto it, Sarge.

246
00:11:47,271 --> 00:11:50,730
- You withheld the information
about Volkan from us.

247
00:11:50,730 --> 00:11:52,980
- MI6 only shared his intel
on Jane's movements

248
00:11:52,980 --> 00:11:54,980
on the proviso that
I kept it confidential.

249
00:11:54,980 --> 00:11:57,646
- Yet we're the ones risking
our lives out there.

250
00:11:57,646 --> 00:11:59,855
- There are things you don't
need to know, Captain.

251
00:12:03,229 --> 00:12:04,646
We're all rattled by this.

252
00:12:04,646 --> 00:12:06,813
If Idrisi is alive,
then that means

253
00:12:06,813 --> 00:12:09,271
Colonel Parker
lied to us.

254
00:12:09,271 --> 00:12:10,771
And maybe even his own people.

255
00:12:10,771 --> 00:12:15,146
This is a potentially
explosive situation.

256
00:12:15,146 --> 00:12:18,980
- What you did just there,
that was interesting.

257
00:12:18,980 --> 00:12:20,646
Anger then empathy.
- I'm sorry?

258
00:12:20,646 --> 00:12:22,146
- Well, that's what you taught
me to do when dealing

259
00:12:22,146 --> 00:12:23,479
with a hostile witness,
isn't it.

260
00:12:23,479 --> 00:12:24,980
And that's what
you're doing now.

261
00:12:24,980 --> 00:12:26,980
You even just switched
from "you" to "we,"

262
00:12:26,980 --> 00:12:28,521
to get me on-side.

263
00:12:28,521 --> 00:12:30,396
- Or maybe I'm just having a
fucking conversation with you,

264
00:12:30,396 --> 00:12:31,688
Captain.

265
00:12:31,688 --> 00:12:35,479
Save the mind games
for Volkan Haratian.

266
00:12:35,479 --> 00:12:39,855
- If you're with MI6,
why are you invading mansions?

267
00:12:39,855 --> 00:12:45,312
Risking men.
Losing men.

268
00:12:45,312 --> 00:12:48,688
- She turned up,
insisting Idrisi is alive.

269
00:12:48,688 --> 00:12:52,187
A fucking fairy tale, and my
men, they start to believe it.

270
00:12:52,187 --> 00:12:53,521
I had no choice.

271
00:12:53,521 --> 00:12:57,187
- So you tip off MI6.
Make a little money.

272
00:12:57,187 --> 00:13:00,604
Maybe wipeout Lowry
in the meantime.

273
00:13:00,604 --> 00:13:01,980
Win-win, huh?

274
00:13:01,980 --> 00:13:04,312
- We'll pay twice what MI6
was promising.

275
00:13:04,312 --> 00:13:07,187
Go back to your people.
Lead us to Lowry.

276
00:13:07,187 --> 00:13:10,104
- What, you think she's just
waiting for you to find her?

277
00:13:10,104 --> 00:13:12,521
- No, but she'll find you.

278
00:13:12,521 --> 00:13:14,062
And you give her to us.

279
00:13:17,396 --> 00:13:18,938
- [exhales deeply]

280
00:13:18,938 --> 00:13:22,146
[machine buzzing]

281
00:13:22,146 --> 00:13:25,271
[dramatic music]

282
00:13:25,271 --> 00:13:26,896
♪ ♪

283
00:13:26,896 --> 00:13:28,730
- I like the one
with the whales the best.

284
00:13:28,730 --> 00:13:31,980
Ooh, and "The Wrath of Khan,"
the one where you die.

285
00:13:31,980 --> 00:13:34,229
"Live long and prosper."
- [laughs]

286
00:13:34,229 --> 00:13:35,354
- It's beautiful.

287
00:13:35,354 --> 00:13:37,771
- He's making a joke
about your name.

288
00:13:37,771 --> 00:13:39,563
Volkan.

289
00:13:39,563 --> 00:13:43,021
"Vulcan," you know,
like, Spock.

290
00:13:43,021 --> 00:13:44,563
- Spock.
- No?

291
00:13:44,563 --> 00:13:47,021
More of a "Star Wars"
man, huh?

292
00:13:47,021 --> 00:13:48,896
- I know who you are.

293
00:13:48,896 --> 00:13:51,730
You're the ones
who killed Omair.

294
00:13:51,730 --> 00:13:54,104
And you sit there,
and you joke, and you laugh.

295
00:13:54,104 --> 00:13:55,438
- All right, easy.

296
00:13:55,438 --> 00:13:56,771
- I should fucking
kill you both.

297
00:13:56,771 --> 00:13:58,187
Shit people.
Scum fucks.

298
00:13:58,187 --> 00:14:00,896
- Hey, hey.
Calm down, all right?

299
00:14:00,896 --> 00:14:02,312
I get it, you're angry.

300
00:14:02,312 --> 00:14:06,104
Well, you made your choice.
You'll get your silver.

301
00:14:06,104 --> 00:14:07,604
The minute you know
where Jane Lowry is--

302
00:14:07,604 --> 00:14:11,646
- Yeah, I know my task,
Sergeant.

303
00:14:14,229 --> 00:14:16,229
- Ma'am, we're not
gonna find Sheridan.

304
00:14:16,229 --> 00:14:18,104
I did find Lila Hall, though.

305
00:14:18,104 --> 00:14:19,938
- Who's that?
- That's Sheridan's daughter.

306
00:14:19,938 --> 00:14:22,938
Sheridan kept her maiden name.
Hall is the father's surname.

307
00:14:22,938 --> 00:14:24,855
American, deceased.

308
00:14:24,855 --> 00:14:26,438
She moved to Europe
a few years ago,

309
00:14:26,438 --> 00:14:28,980
studying at a university
in Hamburg.

310
00:14:28,980 --> 00:14:30,771
Works in a bar part-time.

311
00:14:30,771 --> 00:14:32,604
- Lowry's searching
for Sheridan too.

312
00:14:32,604 --> 00:14:35,229
That puts the daughter at risk.
Let's find her before they do.

313
00:14:35,229 --> 00:14:37,521
- Yes, ma'am.
- What bar's she at?

314
00:14:37,521 --> 00:14:40,688
[foreboding music]

315
00:14:40,688 --> 00:14:44,396
♪ ♪

316
00:14:44,396 --> 00:14:46,604
- Volkan,
we thought you were dead.

317
00:14:46,604 --> 00:14:50,187
- I appreciate the concern.

318
00:14:50,187 --> 00:14:57,312
♪ ♪

319
00:15:00,187 --> 00:15:03,229
Something you want
to tell me, Kadir?

320
00:15:03,229 --> 00:15:07,521
- She said if you came back,
we had to take precautions.

321
00:15:07,521 --> 00:15:13,813
- She? You are my people.

322
00:15:13,813 --> 00:15:17,104
[blade swishes]

323
00:15:17,104 --> 00:15:18,980
- We are Idrisi's people.

324
00:15:21,354 --> 00:15:25,146
♪ ♪

325
00:15:25,146 --> 00:15:27,980
[fabric ripping]

326
00:15:29,771 --> 00:15:31,604
[music intensifies]

327
00:15:31,604 --> 00:15:35,354
- No--
No.

328
00:15:35,354 --> 00:15:38,938
♪ ♪

329
00:15:38,938 --> 00:15:41,021
- Oh, shit.
We got a problem.

330
00:15:43,521 --> 00:15:46,938
- Son of a bitch.

331
00:15:46,938 --> 00:15:50,187
[tense music]

332
00:15:50,187 --> 00:15:57,104
♪ ♪

333
00:15:57,104 --> 00:15:59,021
- Did they make him?

334
00:15:59,021 --> 00:16:00,479
- Yeah, they made him.

335
00:16:00,479 --> 00:16:01,938
- Copy that.

336
00:16:01,938 --> 00:16:04,104
I need you to rendezvous
with Novin.

337
00:16:04,104 --> 00:16:08,730
♪ ♪

338
00:16:08,730 --> 00:16:11,271
- [breathing heavily]

339
00:16:13,896 --> 00:16:16,021
[gasps]

340
00:16:16,021 --> 00:16:17,062
[sighs]

341
00:16:19,896 --> 00:16:22,354
- How did you
get out of there?

342
00:16:22,354 --> 00:16:24,855
- I'm more concerned about how
British Military

343
00:16:24,855 --> 00:16:26,688
knew we were there
in the first place.

344
00:16:26,688 --> 00:16:29,688
- Answer the question.
- Stop.

345
00:16:29,688 --> 00:16:31,187
- I'll talk.

346
00:16:31,187 --> 00:16:32,396
But only to you.

347
00:16:38,438 --> 00:16:40,521
They let me go.

348
00:16:40,521 --> 00:16:42,855
Because they want me
to betray you.

349
00:16:42,855 --> 00:16:43,938
- Yeah.

350
00:16:47,104 --> 00:16:50,771
Something must've made them
think you'd take the deal.

351
00:16:50,771 --> 00:16:52,563
- I was convincing.

352
00:16:52,563 --> 00:16:54,938
- Oh.

353
00:16:54,938 --> 00:16:57,438
Oh, no, you were honest.

354
00:16:57,438 --> 00:16:59,146
You will betray me.

355
00:17:00,521 --> 00:17:01,938
I understand that.

356
00:17:13,229 --> 00:17:15,438
You've lost your faith.

357
00:17:18,146 --> 00:17:21,730
Omair Idrisi is alive.

358
00:17:21,730 --> 00:17:24,896
[ominous music]

359
00:17:24,896 --> 00:17:28,813
♪ ♪

360
00:17:28,813 --> 00:17:33,563
We find Rachel Sheridan,
we find my husband.

361
00:17:33,563 --> 00:17:36,563
♪ ♪

362
00:17:36,563 --> 00:17:39,021
And I'll teach you
to believe again.

363
00:17:41,479 --> 00:17:44,646
[country western music]

364
00:17:44,646 --> 00:17:46,104
♪ ♪

365
00:17:46,104 --> 00:17:49,438
- Finally, some culture.

366
00:17:49,438 --> 00:17:51,855
- Okay, this is a
serious misrepresentation

367
00:17:51,855 --> 00:17:53,479
of American
frontier life.

368
00:17:53,479 --> 00:17:55,813
- Any sign of Lila?
- Yeah, by the bar.

369
00:17:55,813 --> 00:17:57,563
I got this.
- Like you had Idrisi?

370
00:17:57,563 --> 00:18:01,062
- Oh, listen to you,
the guy that can't let go.

371
00:18:01,062 --> 00:18:03,813
- Hey.

372
00:18:03,813 --> 00:18:08,187
- Any chance of a beer?
- I'm on a break.

373
00:18:08,187 --> 00:18:10,354
- Is that Schopenhauer?

374
00:18:10,354 --> 00:18:13,271
That's, uh--
that's good stuff.

375
00:18:13,271 --> 00:18:15,354
- Seriously?
He's an asshole.

376
00:18:15,354 --> 00:18:16,938
- Well, that's a little strong.

377
00:18:16,938 --> 00:18:19,312
I mean, I consider the guy
somewhat of a personal hero.

378
00:18:19,312 --> 00:18:22,187
- He said women were mostly
suited for babysitting

379
00:18:22,187 --> 00:18:25,479
because they're childish,
foolish, and short-sighted.

380
00:18:25,479 --> 00:18:27,855
- Oh, okay, yeah, well,
granted he had some issues.

381
00:18:27,855 --> 00:18:29,688
- That nature strips them
of their beauty

382
00:18:29,688 --> 00:18:32,021
after they give birth because
it's not necessary for them

383
00:18:32,021 --> 00:18:33,604
to breed anymore.

384
00:18:33,604 --> 00:18:36,813
- Yeah, okay, well, that--
that one is--is terrible.

385
00:18:36,813 --> 00:18:39,563
- It's my belief that
the majority of metaphysical

386
00:18:39,563 --> 00:18:42,688
philosophy was written
by unattractive men

387
00:18:42,688 --> 00:18:46,688
who were terrified
of the opposite sex.

388
00:18:46,688 --> 00:18:49,730
- I would like to buy you
a very big drink right now.

389
00:18:49,730 --> 00:18:52,104
- I don't drink at work.

390
00:18:55,563 --> 00:19:01,354
- Well, then maybe we could
talk about your mother, Lila.

391
00:19:01,354 --> 00:19:03,271
- I think
you've made a mistake.

392
00:19:03,271 --> 00:19:05,438
- My name's Wyatt.
Sergeant Samuel Wyatt.

393
00:19:05,438 --> 00:19:06,688
Right now there's some
very dangerous people

394
00:19:06,688 --> 00:19:07,688
looking for her.

395
00:19:07,688 --> 00:19:09,062
I'm here to help.

396
00:19:09,062 --> 00:19:11,521
- You can walk out or
security can throw you out.

397
00:19:11,521 --> 00:19:13,771
- Three amigos walking in.

398
00:19:13,771 --> 00:19:14,855
- Shall we?

399
00:19:14,855 --> 00:19:16,229
- Hola, hola.

400
00:19:16,229 --> 00:19:19,396
[foreboding music]

401
00:19:19,396 --> 00:19:23,354
♪ ♪

402
00:19:23,354 --> 00:19:25,896
- Please, give me a minute.
- Fuck your minute.

403
00:19:27,146 --> 00:19:30,104
♪ ♪

404
00:19:30,104 --> 00:19:31,271
- Look, I'm sorry about this.
- Hey.

405
00:19:31,271 --> 00:19:33,104
- Get the door! She's going!

406
00:19:33,104 --> 00:19:36,187
[suspenseful music]

407
00:19:36,187 --> 00:19:43,271
♪ ♪

408
00:19:47,354 --> 00:19:49,938
- Who sent you?
Who sent you?

409
00:19:49,938 --> 00:19:53,604
- Take your
goddamn hands off me.

410
00:19:53,604 --> 00:19:55,938
[groaning]

411
00:19:55,938 --> 00:20:01,521
♪ ♪

412
00:20:01,521 --> 00:20:05,187
[gunshots blast]

413
00:20:05,187 --> 00:20:06,771
- Let's get you out of here.

414
00:20:09,938 --> 00:20:12,396
♪ ♪

415
00:20:12,396 --> 00:20:16,146
[people screaming]

416
00:20:16,146 --> 00:20:22,855
♪ ♪

417
00:20:24,104 --> 00:20:25,312
- Man!

418
00:20:25,312 --> 00:20:27,354
They better not
be busting up the good shit.

419
00:20:29,855 --> 00:20:31,312
- Yeah?
- Now!

420
00:20:33,146 --> 00:20:37,980
♪ ♪

421
00:20:44,396 --> 00:20:46,146
- All right,
come in, come on.

422
00:20:46,146 --> 00:20:47,563
Grab your stuff.
Get what you need.

423
00:20:47,563 --> 00:20:48,646
Make it quick.

424
00:20:48,646 --> 00:20:49,980
- What's this about?

425
00:20:49,980 --> 00:20:52,438
Why is my mother
suddenly so important?

426
00:20:52,438 --> 00:20:54,980
- Your mother knows
where Omair Idrisi is.

427
00:20:54,980 --> 00:20:56,730
- Yeah, you might wanna
check the news, soldier.

428
00:20:56,730 --> 00:20:57,855
Idrisi is dead.

429
00:20:57,855 --> 00:20:59,354
- Yeah, I know.
I was there.

430
00:20:59,354 --> 00:21:01,104
In fact, I was the guy
that shot him--twice.

431
00:21:01,104 --> 00:21:03,771
And then a mountain came
down on top of him, but still--

432
00:21:03,771 --> 00:21:05,730
Here we are.
- Okay.

433
00:21:05,730 --> 00:21:08,271
- That's highly confidential
information, by the way.

434
00:21:08,271 --> 00:21:09,938
But you understand why
your mother's in danger?

435
00:21:09,938 --> 00:21:12,896
- Fuck her.
This is why I keep my distance.

436
00:21:12,896 --> 00:21:16,146
Her life ruins mine.
- Yeah, I get that.

437
00:21:16,146 --> 00:21:19,229
Bet it gets tough.
- It's tough?

438
00:21:19,229 --> 00:21:22,771
My father worked
for an American NGO in Syria.

439
00:21:22,771 --> 00:21:26,438
When I was 13,
she turned him into a CIA mole

440
00:21:26,438 --> 00:21:28,938
to collect information
from some colleagues--

441
00:21:28,938 --> 00:21:30,980
political activists.

442
00:21:30,980 --> 00:21:33,396
First Dad resisted.

443
00:21:33,396 --> 00:21:35,896
But Mom always
gets her own way.

444
00:21:35,896 --> 00:21:37,646
One afternoon
those colleagues drive him

445
00:21:37,646 --> 00:21:40,229
to the middle of nowhere
and put a bullet in his head.

446
00:21:43,896 --> 00:21:45,354
[bag zips]

447
00:21:47,730 --> 00:21:49,229
- Hey.

448
00:21:50,646 --> 00:21:52,187
Sorry about your father.

449
00:21:53,688 --> 00:21:55,521
If it's any consolation,
my mother signed me up

450
00:21:55,521 --> 00:21:59,354
for a post-apocalyptic death
cult before my tenth birthday.

451
00:21:59,354 --> 00:22:00,938
- [snorts]

452
00:22:02,312 --> 00:22:04,646
That actually sounds
kinda cool.

453
00:22:04,646 --> 00:22:06,688
- I was kinda made to believe
that the world was ending

454
00:22:06,688 --> 00:22:08,354
on a bi-monthly basis.

455
00:22:08,354 --> 00:22:11,104
After the fourth or fifth time
that shit gets a little stale.

456
00:22:11,104 --> 00:22:13,730
- But those first few times,
right?

457
00:22:13,730 --> 00:22:16,104
They must've been
pretty exciting.

458
00:22:16,104 --> 00:22:18,229
- Yeah.

459
00:22:18,229 --> 00:22:23,604
You never feel more alive
than when you're facing death.

460
00:22:32,104 --> 00:22:36,271
- Yeah.
You're a soldier, all right.

461
00:22:42,604 --> 00:22:45,771
[calm ominous music]

462
00:22:45,771 --> 00:22:51,104
♪ ♪

463
00:22:51,104 --> 00:22:53,938
- My fucking heart's beating
a hundred miles an hour.

464
00:22:53,938 --> 00:22:55,271
- Yeah, me too.

465
00:22:58,730 --> 00:23:00,021
It's kinda scary, right?

466
00:23:05,187 --> 00:23:06,855
- One way of looking at it.

467
00:23:09,438 --> 00:23:12,563
[tense music]

468
00:23:12,563 --> 00:23:17,062
♪ ♪

469
00:23:17,062 --> 00:23:19,146
- We got time.

470
00:23:19,146 --> 00:23:20,521
- Lila, I don't think--

471
00:23:23,479 --> 00:23:26,646
Okay, we got time.

472
00:23:26,646 --> 00:23:33,771
♪ ♪

473
00:23:39,271 --> 00:23:42,271
[ominous music]

474
00:23:42,271 --> 00:23:49,354
♪ ♪

475
00:23:53,229 --> 00:24:00,354
♪ ♪

476
00:24:02,396 --> 00:24:04,938
Okay.

477
00:24:04,938 --> 00:24:09,813
♪ ♪

478
00:24:09,813 --> 00:24:14,604
- Yeah, definitely
a Schopenhauer fan.

479
00:24:14,604 --> 00:24:16,813
Did you seriously think
I was just gonna fuck you?

480
00:24:16,813 --> 00:24:19,187
Twenty minutes after
first meeting you?

481
00:24:19,187 --> 00:24:21,229
- It does happen.

482
00:24:21,229 --> 00:24:23,938
Lila, look, please,
you're in danger.

483
00:24:23,938 --> 00:24:25,730
- Yeah, guys with guns.
I gathered that.

484
00:24:25,730 --> 00:24:28,229
- Wait, no, Lila,
I'm just trying to protect you.

485
00:24:28,229 --> 00:24:29,730
- Why do they want me, Wyatt?

486
00:24:29,730 --> 00:24:31,146
- They're using you
to get to your mother.

487
00:24:31,146 --> 00:24:34,229
- And why do you want me?

488
00:24:34,229 --> 00:24:36,938
- It's not--
It's not the same.

489
00:24:36,938 --> 00:24:40,813
- You all carry guns,
and you all think you're right.

490
00:24:40,813 --> 00:24:43,021
- Lila.

491
00:24:43,021 --> 00:24:44,980
Lila, ple--Lila!

492
00:24:44,980 --> 00:24:47,604
- G'day, love.

493
00:24:47,604 --> 00:24:50,104
Aw, there he is.

494
00:24:50,104 --> 00:24:51,229
[chuckling]

495
00:24:51,229 --> 00:24:52,563
Atta' boy.

496
00:24:52,563 --> 00:24:56,062
You're coming with me,
little bunny.

497
00:24:56,062 --> 00:24:57,688
- Now then.

498
00:24:57,688 --> 00:24:58,688
- Hey.

499
00:24:58,688 --> 00:25:02,771
- [chuckles]

500
00:25:02,771 --> 00:25:04,438
- Do you know where
your mother is, Lila?

501
00:25:04,438 --> 00:25:06,771
- Have you ever met my mother,
Colonel?

502
00:25:06,771 --> 00:25:09,855
She tells me two things--
jack and shit.

503
00:25:09,855 --> 00:25:12,980
- Lila, you do know what's
at stake here, don't you?

504
00:25:12,980 --> 00:25:15,938
- Yeah, sure.
"Safety of the free world."

505
00:25:15,938 --> 00:25:19,563
Omair Idrisi,
Jane Lowry, the bogeyman.

506
00:25:19,563 --> 00:25:21,104
None of it is my concern.

507
00:25:21,104 --> 00:25:24,062
This is what you people
don't understand.

508
00:25:24,062 --> 00:25:26,479
Your part of this world.
I'm not.

509
00:25:26,479 --> 00:25:28,438
And I never wanted to be.

510
00:25:28,438 --> 00:25:32,938
So fuck her, fuck you,
and let me go home.

511
00:25:37,479 --> 00:25:39,021
- Lila.

512
00:25:39,021 --> 00:25:41,187
- Shouldn't you be tied
to a bed somewhere?

513
00:25:41,187 --> 00:25:42,896
- Oh, come on,
I let you do that.

514
00:25:42,896 --> 00:25:44,980
I was trying
to gain your trust.

515
00:25:44,980 --> 00:25:48,938
Okay, all right,
you got me.

516
00:25:48,938 --> 00:25:50,438
But Lila, listen.

517
00:25:50,438 --> 00:25:53,187
The people that came for you,
they're not done.

518
00:25:53,187 --> 00:25:55,146
They will come back.
- I know.

519
00:25:55,146 --> 00:25:57,312
So I've got to pack,
gotta move.

520
00:25:57,312 --> 00:25:58,771
Even without being here,

521
00:25:58,771 --> 00:26:03,563
my mother has successfully
screwed up my life again.

522
00:26:03,563 --> 00:26:06,521
- Listen, if you get into
trouble, please, trust me.

523
00:26:06,521 --> 00:26:08,771
You're gonna
wanna keep this.

524
00:26:11,855 --> 00:26:14,146
Hey, you were right.

525
00:26:14,146 --> 00:26:16,563
Schopenhauer.

526
00:26:16,563 --> 00:26:18,354
Guy's an asshole.

527
00:26:27,187 --> 00:26:29,896
[paper crinkling]

528
00:26:29,896 --> 00:26:33,062
[foreboding music]

529
00:26:33,062 --> 00:26:39,855
♪ ♪

530
00:26:48,187 --> 00:26:50,813
- Yeah, ma'am.
It's Volkan.

531
00:26:53,187 --> 00:26:54,521
- You have something for me?

532
00:26:54,521 --> 00:26:56,855
- I stole files
from her laptop.

533
00:26:56,855 --> 00:26:59,354
It'll lead you to Lowry.

534
00:26:59,354 --> 00:27:01,312
Or near enough.

535
00:27:01,312 --> 00:27:03,479
- We'll send someone.
- And what?

536
00:27:03,479 --> 00:27:05,980
And wake up in some prison
somewhere, bag on my head?

537
00:27:05,980 --> 00:27:07,646
Fuck that.

538
00:27:07,646 --> 00:27:09,062
Dead drop.

539
00:27:09,062 --> 00:27:12,438
35 Kopenicker Street,
electrics box.

540
00:27:12,438 --> 00:27:15,104
By the railway.

541
00:27:15,104 --> 00:27:17,229
- I need two bodies
for a pickup.

542
00:27:17,229 --> 00:27:19,229
- Copy.
- I could go.

543
00:27:19,229 --> 00:27:20,980
Uh, uh--copy as well.

544
00:27:20,980 --> 00:27:23,896
Well, the rest of
the team are on mission.

545
00:27:23,896 --> 00:27:26,229
It's just a dead drop.
Simple enough.

546
00:27:26,229 --> 00:27:27,938
- I don't trust Volkan.

547
00:27:27,938 --> 00:27:30,730
Simple might not
be what's waiting.

548
00:27:30,730 --> 00:27:33,730
- Yep, understood, ma'am.

549
00:27:33,730 --> 00:27:36,896
[tense music]

550
00:27:36,896 --> 00:27:43,938
♪ ♪

551
00:27:49,271 --> 00:27:56,438
♪ ♪

552
00:27:56,438 --> 00:28:02,271
[metal clinking,
thudding]

553
00:28:02,271 --> 00:28:09,229
♪ ♪

554
00:28:09,229 --> 00:28:11,396
- I told you never
to come here.

555
00:28:11,396 --> 00:28:13,604
- Really, not even a "hello"?

556
00:28:20,938 --> 00:28:22,938
- Okay, a "hello."

557
00:28:25,730 --> 00:28:28,771
[calm music]

558
00:28:28,771 --> 00:28:34,646
♪ ♪

559
00:28:46,396 --> 00:28:48,813
- Is everything okay?

560
00:28:48,813 --> 00:28:52,021
It's just, you've been a
bit quiet with me, that's all.

561
00:28:52,021 --> 00:28:56,104
- Don't make it weird, Will.

562
00:28:56,104 --> 00:28:57,646
- You say that
about everything.

563
00:28:57,646 --> 00:28:59,646
- What do you think
happens here?

564
00:28:59,646 --> 00:29:02,146
We fuck, we fall in love?

565
00:29:02,146 --> 00:29:04,312
There'll be a white wedding
with doves and shit?

566
00:29:04,312 --> 00:29:07,521
- I just think that you can
talk straight to me, for once.

567
00:29:07,521 --> 00:29:08,604
That's all.

568
00:29:08,604 --> 00:29:10,187
- You know how this life works.

569
00:29:10,187 --> 00:29:11,688
There's only two things
that count:

570
00:29:11,688 --> 00:29:17,146
staying alive
and getting the job done.

571
00:29:17,146 --> 00:29:18,688
There's no room
for anything else.

572
00:29:18,688 --> 00:29:20,312
- I don't think that's true.

573
00:29:20,312 --> 00:29:22,354
- So that's why you came?

574
00:29:22,354 --> 00:29:26,271
To hang out and ask questions.

575
00:29:26,271 --> 00:29:29,730
Ugh.
This was a mistake.

576
00:29:31,521 --> 00:29:33,021
- So, just forget it, mate.

577
00:29:33,021 --> 00:29:35,146
- Stay in the car.
I've got this.

578
00:29:35,146 --> 00:29:36,896
Time for you to stop
playing soldier.

579
00:29:40,730 --> 00:29:42,521
- Bravo One headed
to the drop.

580
00:29:42,521 --> 00:29:43,855
- Copy.

581
00:29:43,855 --> 00:29:45,479
- How are we doing
on the locale of Sheridan?

582
00:29:45,479 --> 00:29:47,104
- It's a farmhouse.
Sending GPS.

583
00:29:47,104 --> 00:29:48,688
Sit tight.
Await instructions.

584
00:29:48,688 --> 00:29:50,813
- Yeah, all right,
understood.

585
00:29:50,813 --> 00:29:53,938
[foreboding music]

586
00:29:53,938 --> 00:30:01,062
♪ ♪

587
00:30:02,604 --> 00:30:03,730
[device beeps]

588
00:30:05,062 --> 00:30:09,563
♪ ♪

589
00:30:09,563 --> 00:30:13,771
[device beeps]
- No sign of explosives.

590
00:30:13,771 --> 00:30:15,271
Opening.

591
00:30:15,271 --> 00:30:16,396
- Be careful.

592
00:30:19,312 --> 00:30:25,312
♪ ♪

593
00:30:25,312 --> 00:30:27,354
- Nothing.

594
00:30:27,354 --> 00:30:29,896
No intel, no data, no drop.

595
00:30:29,896 --> 00:30:31,021
- Copy that.

596
00:30:34,896 --> 00:30:37,438
- All of your life, I can't
phone, I can't write,

597
00:30:37,438 --> 00:30:38,730
I can't visit.

598
00:30:38,730 --> 00:30:40,312
- It's because of shit
like this, Lila.

599
00:30:40,312 --> 00:30:41,688
These people,
they don't stop.

600
00:30:41,688 --> 00:30:42,938
- I told them I didn't know
where you were.

601
00:30:42,938 --> 00:30:44,479
- [sighs]

602
00:30:44,479 --> 00:30:46,146
Doesn't matter what you told
them; they could tail you.

603
00:30:46,146 --> 00:30:47,646
- No, I made sure.

604
00:30:47,646 --> 00:30:49,771
One of the soldiers,
he gave me a note.

605
00:30:49,771 --> 00:30:50,938
- A note?

606
00:30:50,938 --> 00:30:52,521
- Telling me not
to come find you.

607
00:30:52,521 --> 00:30:55,855
- And why the hell
would he do that?

608
00:30:55,855 --> 00:30:57,938
- We had a connection.
- Oh, God.

609
00:30:57,938 --> 00:31:00,062
Do we have to have a talk
about the birds and the bees

610
00:31:00,062 --> 00:31:02,146
with their big army dicks and
the stupid wide-eyed girls

611
00:31:02,146 --> 00:31:03,354
who fall for them?

612
00:31:03,354 --> 00:31:04,646
- I think he was
trying to warn me.

613
00:31:04,646 --> 00:31:07,187
- Then why the fuck
didn't you listen?

614
00:31:07,187 --> 00:31:09,896
- Because your work always
screws the rest of us

615
00:31:09,896 --> 00:31:11,563
and you never seem to get that.

616
00:31:11,563 --> 00:31:14,980
And I sat in my car and
realized, enough is enough.

617
00:31:14,980 --> 00:31:18,730
- Your car?
The same car you drove here in?

618
00:31:18,730 --> 00:31:21,896
[suspenseful music]

619
00:31:21,896 --> 00:31:25,146
♪ ♪

620
00:31:25,146 --> 00:31:26,938
Take it.

621
00:31:26,938 --> 00:31:28,396
- I'm not using this.

622
00:31:28,396 --> 00:31:30,938
- For once in your life,
just do what you're told.

623
00:31:32,855 --> 00:31:34,104
[device beeps]

624
00:31:34,104 --> 00:31:38,146
I tell you not to come here...

625
00:31:38,146 --> 00:31:40,104
I mean don't come here.

626
00:31:40,104 --> 00:31:42,312
I don't mean do whatever
the hell you like.

627
00:31:44,855 --> 00:31:46,312
[device beeps]

628
00:31:46,312 --> 00:31:48,104
Good, there's no tracker.

629
00:31:48,104 --> 00:31:51,312
- Wait, you hear that, Mom?

630
00:31:51,312 --> 00:31:53,479
- What?
- Shh, listen.

631
00:31:53,479 --> 00:31:55,980
[birds chirping]

632
00:31:55,980 --> 00:31:57,354
I think--

633
00:31:57,354 --> 00:32:00,229
I think that's the sound
of an apology.

634
00:32:00,229 --> 00:32:02,730
- That's funny.
- That is funny, thank you.

635
00:32:02,730 --> 00:32:05,229
- Now get your ass back inside.

636
00:32:05,229 --> 00:32:06,771
[suspenseful music]

637
00:32:06,771 --> 00:32:09,479
- Jensen's comms are out.

638
00:32:09,479 --> 00:32:13,229
- Shit.
Jensen's gone.

639
00:32:13,229 --> 00:32:14,730
Drop was a set-up.

640
00:32:14,730 --> 00:32:16,563
- Lowry may have made
or turned Volkan.

641
00:32:16,563 --> 00:32:18,563
- They've taken Jensen,
do you copy?

642
00:32:18,563 --> 00:32:20,646
They've taken him.

643
00:32:20,646 --> 00:32:21,855
Fuck!

644
00:32:21,855 --> 00:32:23,396
- Do you want the story?

645
00:32:23,396 --> 00:32:25,896
About the woman who made her
way up through the ranks,

646
00:32:25,896 --> 00:32:27,521
thought she'd do anything
for her career,

647
00:32:27,521 --> 00:32:30,187
destroyed her marriage,
her family--everything.

648
00:32:30,187 --> 00:32:32,271
So she keeps moving
from place to place

649
00:32:32,271 --> 00:32:35,021
because she's terrified
of sounds in the night.

650
00:32:35,021 --> 00:32:37,813
Of retribution
for all that she's done.

651
00:32:37,813 --> 00:32:40,021
And even worse,
she can never tell her daughter

652
00:32:40,021 --> 00:32:42,312
just how sorry she is.

653
00:32:42,312 --> 00:32:45,354
[gasps]
- Easy, easy.

654
00:32:45,354 --> 00:32:47,563
Easy now.

655
00:32:47,563 --> 00:32:48,646
[barn door creaks]

656
00:32:48,646 --> 00:32:49,730
- [gasps]

657
00:32:54,730 --> 00:32:58,062
- Just want to talk.

658
00:32:58,062 --> 00:33:00,563
Just talk.

659
00:33:00,563 --> 00:33:03,771
[music intensifying]

660
00:33:05,479 --> 00:33:08,604
[ominous music]

661
00:33:08,604 --> 00:33:15,646
♪ ♪

662
00:33:15,646 --> 00:33:17,021
- Ah.

663
00:33:18,646 --> 00:33:20,688
[panting]

664
00:33:23,438 --> 00:33:25,479
[groans]

665
00:33:25,479 --> 00:33:28,146
Fuck.

666
00:33:28,146 --> 00:33:34,438
♪ ♪

667
00:33:34,438 --> 00:33:36,855
[door shuts]

668
00:33:36,855 --> 00:33:43,646
♪ ♪

669
00:33:43,646 --> 00:33:46,104
- Nothing worse than knowing
something's coming

670
00:33:46,104 --> 00:33:49,229
and not being able to see it.

671
00:33:49,229 --> 00:33:51,229
All you can do is anticipate.

672
00:33:53,604 --> 00:33:55,438
So I take it they
have Lila Hall.

673
00:33:55,438 --> 00:33:59,104
Do they have her mother yet?

674
00:33:59,104 --> 00:34:00,688
- I don't know what you think
you're gonna get out of--

675
00:34:00,688 --> 00:34:03,312
- Will.

676
00:34:03,312 --> 00:34:05,021
There's a good way
that this happens,

677
00:34:05,021 --> 00:34:07,312
and there's a very bad one.

678
00:34:07,312 --> 00:34:10,146
I'm trying to be
your friend here.

679
00:34:10,146 --> 00:34:14,021
- You'll always
be the enemy.

680
00:34:14,021 --> 00:34:17,062
- Project Tenebrae.

681
00:34:17,062 --> 00:34:20,730
That's the real enemy.

682
00:34:20,730 --> 00:34:24,438
Never heard of it, huh?

683
00:34:24,438 --> 00:34:28,312
Funny what they tell you,
what they don't.

684
00:34:28,312 --> 00:34:34,312
♪ ♪

685
00:34:34,312 --> 00:34:36,479
Where is Rachel Sheridan?

686
00:34:36,479 --> 00:34:38,187
- I don't know.
I'm not--

687
00:34:38,187 --> 00:34:41,438
- Okay, there's this thing
that they teach you.

688
00:34:41,438 --> 00:34:43,646
Body language, right?

689
00:34:43,646 --> 00:34:46,855
The tells people have.

690
00:34:46,855 --> 00:34:49,730
You could be lying to me.

691
00:34:49,730 --> 00:34:52,021
But you could be terrified,

692
00:34:52,021 --> 00:34:56,312
telling me things
from the heart.

693
00:34:56,312 --> 00:34:58,396
I gotta make a judgment call.

694
00:35:00,896 --> 00:35:02,813
- Look, look.

695
00:35:02,813 --> 00:35:06,938
The only thing I know is
that Lila, her daughter,

696
00:35:06,938 --> 00:35:08,646
said she doesn't know
where her mother is.

697
00:35:08,646 --> 00:35:11,479
That's it.
That's all.

698
00:35:11,479 --> 00:35:12,688
Please.

699
00:35:15,187 --> 00:35:22,062
♪ ♪

700
00:35:22,271 --> 00:35:27,813
- Volkan here, he lost his way,
but he's coming back to us.

701
00:35:27,813 --> 00:35:30,813
We all believe in something.
Even you, Will.

702
00:35:30,813 --> 00:35:34,688
♪ ♪

703
00:35:34,688 --> 00:35:36,730
So listen to me.

704
00:35:36,730 --> 00:35:40,896
I'm asking you
one more time.

705
00:35:40,896 --> 00:35:45,312
Please, just tell me.

706
00:35:45,312 --> 00:35:46,896
- I don't know.

707
00:35:46,896 --> 00:35:50,438
I don't know where
Rachel Sheridan is.

708
00:35:50,438 --> 00:35:51,730
I promise.
I don't.

709
00:35:55,062 --> 00:35:56,771
- Okay.

710
00:35:56,771 --> 00:35:59,354
- Please, please.

711
00:35:59,354 --> 00:36:03,312
[gasping]

712
00:36:03,312 --> 00:36:06,896
I'm--I'm just the computer guy.
I don't know.

713
00:36:06,896 --> 00:36:13,563
♪ ♪

714
00:36:13,563 --> 00:36:14,896
- Huh!

715
00:36:14,896 --> 00:36:20,104
Stop, stop, please.
[screaming]

716
00:36:20,104 --> 00:36:23,021
♪ ♪

717
00:36:23,021 --> 00:36:24,771
- Ms. Sheridan.
- Don't "Ms." me.

718
00:36:24,771 --> 00:36:27,271
- I don't think you understand
how serious this might be.

719
00:36:27,271 --> 00:36:28,646
If Omair Idrisi--

720
00:36:28,646 --> 00:36:30,896
- I get how serious you think
it might be, soldier.

721
00:36:30,896 --> 00:36:32,521
Was he the one?

722
00:36:32,521 --> 00:36:34,521
Yeah.
He's the one.

723
00:36:34,521 --> 00:36:36,146
- If Idrisi's alive, we need to
find out

724
00:36:36,146 --> 00:36:37,438
which Black Site he's in.

725
00:36:37,438 --> 00:36:38,771
- When he was dead,
who claimed the body?

726
00:36:38,771 --> 00:36:40,855
- Colonel Parker.
JSOC.

727
00:36:40,855 --> 00:36:43,438
- Oh, now, that is interesting.
You see, I know Parker.

728
00:36:43,438 --> 00:36:45,021
Do you mind if
my daughter leaves?

729
00:36:45,021 --> 00:36:47,438
It's just there's a keypad
in that box in the wall.

730
00:36:47,438 --> 00:36:49,479
If I don't punch in a code
every four hours,

731
00:36:49,479 --> 00:36:52,312
this place detonates.
Takes down everyone inside it.

732
00:36:52,312 --> 00:36:55,146
And we're already on 3:58.
Tic-toc.

733
00:36:55,146 --> 00:36:57,855
- I think Lila can leave.
- Nobody's going anywhere.

734
00:36:57,855 --> 00:36:59,563
- There's a site I redesigned.

735
00:36:59,563 --> 00:37:01,479
It's run by Private Military.
Octagon.

736
00:37:01,479 --> 00:37:02,730
- Johannes Krieger.

737
00:37:02,730 --> 00:37:04,438
- But it's paid for
and controlled by--

738
00:37:04,438 --> 00:37:06,396
Anybody wanna guess here?
- Parker.

739
00:37:06,396 --> 00:37:07,646
- Exactly.

740
00:37:07,646 --> 00:37:09,730
- Parker finds Idrisi alive,

741
00:37:09,730 --> 00:37:11,146
decides he wants to
pump him for intel,

742
00:37:11,146 --> 00:37:12,646
so he hides him
in a Black Site.

743
00:37:12,646 --> 00:37:14,312
- Somewhere where
the bleeding hearts in Congress

744
00:37:14,312 --> 00:37:15,604
can't stop him.

745
00:37:15,604 --> 00:37:17,354
Somewhere he can kill a man
and bring him back

746
00:37:17,354 --> 00:37:19,896
over and over again,
with impunity.

747
00:37:19,896 --> 00:37:21,312
- That lying son of a bitch.

748
00:37:21,312 --> 00:37:23,438
- We're through the
looking glass here, soldier.

749
00:37:23,438 --> 00:37:25,062
One minute--so can she leave?

750
00:37:25,062 --> 00:37:26,563
- Yes.
- No.

751
00:37:26,563 --> 00:37:28,688
Not until you tell us
where this Black Site is.

752
00:37:28,688 --> 00:37:30,563
- Why?
Maybe Parker's doing good.

753
00:37:30,563 --> 00:37:32,855
Maybe he's getting his hands
dirty, but saving the world.

754
00:37:32,855 --> 00:37:36,146
- We don't care about Parker,
we care about Lowry.

755
00:37:36,146 --> 00:37:39,980
- Lowry?
- And she's coming for him.

756
00:37:39,980 --> 00:37:42,354
- Well, that could be
a problem, yeah.

757
00:37:42,354 --> 00:37:44,021
Forty-five seconds.

758
00:37:44,021 --> 00:37:47,021
- Can you all stop pointing
fucking guns at each other?

759
00:37:47,021 --> 00:37:49,730
- Nobody's actually
gonna shoot anybody.

760
00:37:49,730 --> 00:37:51,938
- What?
- This is all just a bluff.

761
00:37:51,938 --> 00:37:53,396
It's just a way to
sound each other out.

762
00:37:53,396 --> 00:37:54,730
We're not gonna
shoot your mother.

763
00:37:54,730 --> 00:37:56,855
Your mother, hopefully,

764
00:37:56,855 --> 00:37:58,980
is not gonna shoot us.

765
00:37:58,980 --> 00:38:03,354
And I guarantee there is no
timer hidden in a box

766
00:38:03,354 --> 00:38:05,771
with a countdown on--

767
00:38:05,771 --> 00:38:08,896
[tense music]

768
00:38:08,896 --> 00:38:10,187
♪ ♪

769
00:38:10,187 --> 00:38:13,354
Thirty-one seconds.

770
00:38:13,354 --> 00:38:17,646
♪ ♪

771
00:38:17,646 --> 00:38:19,563
[buttons beep]

772
00:38:21,146 --> 00:38:23,896
- You know, you might just
be the world's worst mother.

773
00:38:23,896 --> 00:38:26,563
- You're still alive,
aren't you?

774
00:38:26,563 --> 00:38:30,563
So, Lowry and Idrisi, yeah.

775
00:38:30,563 --> 00:38:33,312
- Hey.

776
00:38:33,312 --> 00:38:35,438
So you probably guessed,
we tailed you out here.

777
00:38:35,438 --> 00:38:37,021
- You used me.

778
00:38:37,021 --> 00:38:39,438
- To be fair, I did tell you
not to come here.

779
00:38:39,438 --> 00:38:41,938
Look, this is--it's the job.

780
00:38:41,938 --> 00:38:45,146
- This is my family.

781
00:38:45,146 --> 00:38:46,855
- You know, the best thing
you can do right now

782
00:38:46,855 --> 00:38:48,646
is jump in your car
and get out of here.

783
00:38:48,646 --> 00:38:51,187
- He's right.
Go home, Lila.

784
00:38:51,187 --> 00:38:54,229
- You all dragged me
into this shit.

785
00:38:54,229 --> 00:38:56,646
I'll go when I choose.

786
00:38:56,646 --> 00:38:59,062
- Klomino, Poland.

787
00:38:59,062 --> 00:39:01,479
It's an abandoned
military complex.

788
00:39:01,479 --> 00:39:03,396
That's Parker's Black Site.

789
00:39:03,396 --> 00:39:05,187
That's where
you'll find Idrisi.

790
00:39:05,187 --> 00:39:07,187
- Is there a way in for us?

791
00:39:07,187 --> 00:39:08,938
- My job is high-risk.

792
00:39:08,938 --> 00:39:11,021
One day I might find out
something I shouldn't,

793
00:39:11,021 --> 00:39:13,438
and they'll try and silence me.
Car bomb, sniper.

794
00:39:13,438 --> 00:39:15,104
Or what would be
the greatest irony?

795
00:39:15,104 --> 00:39:17,271
- Lock you away in one
of your own Black Sites.

796
00:39:17,271 --> 00:39:20,187
- Exactly, which is why I built
a backdoor into every place.

797
00:39:20,187 --> 00:39:22,396
Now here is a decayed
arterial tunnel.

798
00:39:22,396 --> 00:39:24,271
You'll find an entrance
on the perimeter,

799
00:39:24,271 --> 00:39:25,771
hidden in the old
drainage system.

800
00:39:25,771 --> 00:39:30,146
It's about half a klick
from the main site.

801
00:39:30,146 --> 00:39:34,646
[sighs]

802
00:39:34,646 --> 00:39:37,771
You're all either very brave
or very stupid.

803
00:39:37,771 --> 00:39:40,646
Because you might manage
to find a way in,

804
00:39:40,646 --> 00:39:42,938
but there's no way you'll
ever get out.

805
00:39:42,938 --> 00:39:46,062
[tense music]

806
00:39:46,062 --> 00:39:51,813
♪ ♪

807
00:39:51,813 --> 00:39:53,646
[suspenseful music]

808
00:39:53,646 --> 00:39:55,563
- Arriving at
last known location.

809
00:39:55,563 --> 00:39:57,354
- No hits yet on traffic cams.

810
00:39:59,896 --> 00:40:02,646
Keep checking every locale
that we know, keep going.

811
00:40:02,646 --> 00:40:04,146
Just stay focused.

812
00:40:04,146 --> 00:40:07,896
- At the wrecking yard,
on approach.

813
00:40:07,896 --> 00:40:14,855
♪ ♪

814
00:40:19,312 --> 00:40:26,396
♪ ♪

815
00:40:31,396 --> 00:40:32,813
- Will.

816
00:40:34,521 --> 00:40:41,563
♪ ♪

817
00:40:42,271 --> 00:40:44,312
- Will?

818
00:40:44,312 --> 00:40:46,312
Dear God.

819
00:40:46,312 --> 00:40:49,521
- [mumbling]

820
00:40:49,521 --> 00:40:51,771
- I need a medevac now!

821
00:40:51,771 --> 00:40:54,062
- She--she asked me.

822
00:40:54,062 --> 00:40:57,021
She asked me.
- Shh.

823
00:40:57,021 --> 00:40:59,563
- I told her about
the farmhouse.

824
00:40:59,563 --> 00:41:02,938
- Boss, do you copy?
Operation compromised.

825
00:41:02,938 --> 00:41:04,521
- I'm so sorry.

826
00:41:04,521 --> 00:41:07,062
- Bravo, move out fast.
You've been compromised.

827
00:41:10,021 --> 00:41:11,229
- I have movement.

828
00:41:14,062 --> 00:41:15,771
[machine guns blasting]

829
00:41:15,771 --> 00:41:17,980
Everybody get down!
Get down.

830
00:41:17,980 --> 00:41:19,646
[suspenseful music]

831
00:41:19,646 --> 00:41:21,479
- Down, down, down.

832
00:41:21,479 --> 00:41:24,479
Whatever happens,
you stay down.

833
00:41:24,479 --> 00:41:29,229
♪ ♪

834
00:41:29,229 --> 00:41:30,604
- Sustained fire.

835
00:41:30,604 --> 00:41:33,479
They're trying to drive us
out the back.

836
00:41:33,479 --> 00:41:36,688
- We're too exposed.
No cover!

837
00:41:36,688 --> 00:41:39,479
We need to stand our ground!

838
00:41:39,479 --> 00:41:40,938
♪ ♪

839
00:41:40,938 --> 00:41:42,855
- It's me they want, isn't it?

840
00:41:42,855 --> 00:41:47,521
- Stay there,
we'll get you out.

841
00:41:47,521 --> 00:41:49,896
- Lila, Lila!

842
00:41:49,896 --> 00:41:52,479
I'm sorry.

843
00:41:52,479 --> 00:41:54,646
Hey, there's
a chest over there.

844
00:41:54,646 --> 00:41:56,312
You'll find something
useful in it.

845
00:41:56,312 --> 00:41:59,271
I'm gonna try
and lead them away.

846
00:41:59,271 --> 00:42:03,521
- No, wait.
Hey!

847
00:42:03,521 --> 00:42:05,688
- Rachel, wait.

848
00:42:05,688 --> 00:42:06,771
- Shit.

849
00:42:08,938 --> 00:42:15,980
♪ ♪

850
00:42:19,021 --> 00:42:26,146
♪ ♪

851
00:42:32,980 --> 00:42:36,146
[muffled gunshots blasting]

852
00:42:40,312 --> 00:42:47,438
♪ ♪

853
00:42:50,438 --> 00:42:53,479
[muffled gunshots]

854
00:42:53,479 --> 00:42:56,646
[solemn music]

855
00:42:56,646 --> 00:43:03,688
♪ ♪

856
00:43:11,688 --> 00:43:18,730
♪ ♪

857
00:43:20,855 --> 00:43:22,688
[gun clicks]

858
00:43:22,688 --> 00:43:24,021
[gun cocks]

859
00:43:27,813 --> 00:43:29,146
- Move.

860
00:43:32,271 --> 00:43:33,354
- Wyatt.

861
00:43:35,771 --> 00:43:37,604
Sergeant Wyatt!

862
00:43:37,604 --> 00:43:38,730
Take the shot!

863
00:43:41,021 --> 00:43:44,354
[tense music]

864
00:43:44,354 --> 00:43:51,521
♪ ♪

865
00:43:55,896 --> 00:43:57,563
- Belt change coming!

866
00:43:59,896 --> 00:44:03,062
[dramatic music]

867
00:44:03,062 --> 00:44:10,187
♪ ♪

868
00:44:11,563 --> 00:44:12,896
- Open it!

869
00:44:14,646 --> 00:44:21,730
♪ ♪

870
00:44:25,521 --> 00:44:28,896
[tense music]

871
00:44:28,896 --> 00:44:36,062
♪ ♪

872
00:44:37,479 --> 00:44:39,604
- Wyatt.
Wyatt!

873
00:44:42,146 --> 00:44:48,146
♪ ♪

874
00:44:48,146 --> 00:44:50,104
- You!

875
00:44:50,104 --> 00:44:51,146
[groans]

876
00:44:53,354 --> 00:44:59,813
♪ ♪

877
00:44:59,813 --> 00:45:01,146
Where's Lowry?

878
00:45:04,521 --> 00:45:05,813
Where is she?

879
00:45:05,813 --> 00:45:09,479
Hey, now you listen to me!

880
00:45:09,479 --> 00:45:10,896
Where's Lowry?

881
00:45:12,604 --> 00:45:15,104
- Argh!
- [groans]

882
00:45:18,229 --> 00:45:21,479
[solemn music]

883
00:45:21,479 --> 00:45:28,521
♪ ♪

884
00:45:32,104 --> 00:45:36,396
- Sheridan's in the wind,
ma'am.

885
00:45:36,396 --> 00:45:43,479
♪ ♪

886
00:45:47,980 --> 00:45:55,062
♪ ♪

887
00:45:58,187 --> 00:46:05,229
♪ ♪

888
00:46:11,229 --> 00:46:18,354
♪ ♪

889
00:46:25,813 --> 00:46:26,855
[knocks echoing]

890
00:46:30,229 --> 00:46:31,855
- What?

891
00:46:31,855 --> 00:46:33,855
- I'm not saying that
I'm a good person, okay?

892
00:46:33,855 --> 00:46:37,146
I--I've done--I've done things,
and, um--

893
00:46:37,146 --> 00:46:38,229
- And?

894
00:46:41,855 --> 00:46:45,563
- And when this is all over,
maybe...

895
00:46:45,563 --> 00:46:49,438
Maybe there's a world where
you and I can have that drink.

896
00:46:49,438 --> 00:46:51,229
- No.

897
00:46:51,229 --> 00:46:54,271
- Okay, I just--
I thought I'd check.

898
00:46:54,271 --> 00:46:58,730
♪ ♪

899
00:46:58,730 --> 00:47:02,396
- Sergeant Wyatt.

900
00:47:02,396 --> 00:47:04,438
I'm fucking with you.

901
00:47:04,438 --> 00:47:08,229
Yeah, there's a world.

902
00:47:08,229 --> 00:47:10,771
- [chuckles]
All right.

903
00:47:13,730 --> 00:47:16,396
♪ ♪

904
00:47:16,396 --> 00:47:17,771
- Wyatt, we need to go.

905
00:47:19,771 --> 00:47:26,771
♪ ♪

906
00:47:29,271 --> 00:47:31,813
[music intensifies]

907
00:47:31,813 --> 00:47:38,938
♪ ♪

908
00:47:42,438 --> 00:47:44,146
♪ ♪

909
00:47:44,146 --> 00:47:47,438
[The Heavy's
"Short Change Hero"]

910
00:47:47,438 --> 00:47:49,771
♪ ♪

911
00:47:49,771 --> 00:47:54,646
- ♪ Now I can't see where
you comin' from ♪

912
00:47:54,646 --> 00:47:59,187
♪ But I know just what
you runnin' from ♪

913
00:47:59,187 --> 00:48:04,187
♪ And what matters ain't the
"who's baddest" ♪

914
00:48:04,187 --> 00:48:08,855
♪ But the ones who stop you
fallin' from your ladder ♪

915
00:48:08,855 --> 00:48:13,312
♪ This ain't no place
for no hero ♪

916
00:48:13,312 --> 00:48:18,146
♪ This ain't no place
for no better man ♪

917
00:48:18,146 --> 00:48:22,479
♪ This ain't no place
for no hero ♪

918
00:48:22,479 --> 00:48:28,479
♪ To call home ♪

919
00:48:28,479 --> 00:48:35,604
♪ ♪

920
00:48:44,730 --> 00:48:46,896
[engine revving]

921
00:48:48,521 --> 00:48:49,521
-Mission is a go.
-♪ (PERCUSSION PLAYING) ♪

922
00:48:49,855 --> 00:48:51,354
COL. ADEENA DONOVAN:
Get to Idrisi before Jane does.

923
00:48:51,354 --> 00:48:52,688
Secure him and bring him out.

924
00:48:52,688 --> 00:48:55,521
And if you run into her,
don't leave her alive.

925
00:48:56,312 --> 00:48:57,896
DONOVAN:
We need to stop her.

926
00:48:59,438 --> 00:49:02,021
-♪ (PERCUSSION CONTINUES) ♪

927
00:49:04,354 --> 00:49:05,521
(GUNFIRE)

928
00:49:06,688 --> 00:49:09,479
-(GUNSHOTS)
-(EXPLOSION)

929
00:49:18,187 --> 00:49:19,563
♪ (ROCK MUSIC PLAYING) ♪

930
00:49:20,521 --> 00:49:23,229
No one wanted Jensen
to get his eye gone.

931
00:49:23,896 --> 00:49:25,896
Novin was trying to protect him,
you know, 'cause

932
00:49:25,896 --> 00:49:27,563
she was going after something
quite dangerous, as well.

933
00:49:27,563 --> 00:49:30,771
She's exposed and in turn,
that resulted in him...

934
00:49:31,855 --> 00:49:32,813
(JENSEN SCREAMS)

935
00:49:32,813 --> 00:49:35,062
He got screwed.
He got screwed doubly.

936
00:49:35,354 --> 00:49:36,855
-GRACIE NOVIN: Will.
-(MOANS)

937
00:49:36,855 --> 00:49:38,396
I need a medevac, now!

938
00:49:38,604 --> 00:49:40,938
♪ (MUSIC CONTINUES) ♪

939
00:49:44,104 --> 00:49:45,229
I shot Idrisi.

940
00:49:45,229 --> 00:49:46,479
There's no way
he's getting back up from that.

941
00:49:46,479 --> 00:49:48,187
WARREN BROWN:
Mission One was Omair Idrisi.

942
00:49:48,187 --> 00:49:51,271
So, him being alive
is a huge shock

943
00:49:51,479 --> 00:49:52,938
but it also offers a chance,
actually,

944
00:49:52,938 --> 00:49:55,730
for Mac to carry on
and get what he set out to do.

945
00:49:55,730 --> 00:49:56,688
It's game on again.

946
00:49:57,146 --> 00:49:59,438
If we get eyes on the target,
let me take the shot this time.

947
00:50:00,980 --> 00:50:03,187
DANIEL MACPHERSON:
Wyatt is, uh, a very strong

948
00:50:03,187 --> 00:50:04,604
tactically-thinking soldier,

949
00:50:04,604 --> 00:50:05,938
but he does get duped.

950
00:50:05,938 --> 00:50:07,730
He thinks things
are going really well

951
00:50:07,730 --> 00:50:10,312
and then he gets handcuffed
to a bed and he deserved it.

952
00:50:10,312 --> 00:50:12,646
Maybe "Little Wyatt" was
calling the shots

953
00:50:12,646 --> 00:50:13,479
instead of Big Wyatt.

954
00:50:14,062 --> 00:50:15,980
LYLA: Did you seriously think
I was just going to fuck you

955
00:50:15,980 --> 00:50:17,813
20 minutes after
first meeting you?

956
00:50:17,813 --> 00:50:18,730
It does happen.

957
00:50:19,104 --> 00:50:21,187
And the problem with Wyatt is
he's such a sensitive cat

958
00:50:21,187 --> 00:50:22,688
that he falls in love
with this girl.

959
00:50:22,688 --> 00:50:27,563
And, at the end of episode seven
he puts her in-- in-- in danger

960
00:50:27,563 --> 00:50:28,521
and Lyla gets killed.

961
00:50:28,938 --> 00:50:32,062
And you see a side of Wyatt
that you probably haven't seen

962
00:50:32,688 --> 00:50:33,980
yet in Strike Back.

963
00:50:33,980 --> 00:50:37,438
You just see blind rage.

964
00:50:37,771 --> 00:50:39,271
(GUNFIRE)

965
00:50:39,521 --> 00:50:41,229
ROXANNE MCKEE:
Wyatt is dealing with

966
00:50:41,229 --> 00:50:42,855
a very big emotional trauma.

967
00:50:42,855 --> 00:50:44,813
It slightly marred
his vision, maybe,

968
00:50:45,062 --> 00:50:47,479
because there's some
vengeance issues

969
00:50:47,479 --> 00:50:49,646
and that could stop him
from making

970
00:50:49,646 --> 00:50:51,563
the right tactical decisions.

971
00:50:51,563 --> 00:50:52,896
(GRUNTS)

972
00:50:52,896 --> 00:50:55,354
Just beating these guys
to a pulp

973
00:50:55,688 --> 00:50:58,354
and making the vow that
"I will kill Jane Lowry,"

974
00:50:58,354 --> 00:51:01,354
which then drives Wyatt
through the rest of the series.

975
00:51:01,354 --> 00:51:03,146
(GRUNTS) Where's Lowry?

976
00:51:03,563 --> 00:51:04,646
(GRUNTS)

977
00:51:04,646 --> 00:51:09,646
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978
00:51:04,646 --> 00:51:14,646
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